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Carcoma. The Eric Olson´s Collaged Thesis Poetical Project 19-24/33

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Carcoma. The Eric Olson´s Collaged Thesis Poetical Project 14-18/33

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Carcoma. The Eric Olson´s Collaged Thesis Poetical Project 9-13/33

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Carcoma. The Eric Olson´s Collaged Thesis Poetical Project 5-8/33

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Carcoma. The Eric Olson´s Collaged Thesis Poetical Project 2-4/33

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Carcoma. The Eric Olson´s Collaged Thesis Poetical Project 1/33

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CARCOMA. The Eric Olson´s Collaged Thesis Poetical Project (FINAL 1)

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The Eric Olson´s Collaged Thesis Poetical Project IV

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Making love, as the subjetct and I together explore A notebook. I began salting away Fragments of experience As the stuff accumulated I would periodically contact some specific place vague sense of notorious printed method I had been using the extension, connection, completion, resolution. It was years later after Following that kind of subjective life. The tension between that which is given and early  idea of analogous satisfactory normative data

The Vaporized Series. Vaporizing Batman

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124 episodes multilayered in 1

Tintín and the End of Adventure 2012-2018. Formato definitivo. En el Congo

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Work in progress. http://tintintoday-blog.tumblr.com/ https://twitter.com/tintintoday Tintin and the End of the Adventure presents a kind reflection on the narrative scope of the new Internet social media. It begins from a conjecture: if Tintin had Twitter or Facebook, the role of the adventure in his life would not only be impoverished, but directly, it could not even begin to happen. This biased assumption, points to the implicit ideology of the massive use of media that, in principle, are presented as neutral. From the most pernicious effects of the new social media, perhaps the most catastrophic, is to remove the possibility of adventure from the lives of the people. So to prove this conjecture, this project runs an experiment. Reviewing the literature of Tintin, to tweet its most fortunate moments. In a second step, the tweet is put in context, within a strip with the two preceding frames. The tweet acts as its punchline. At the end of the review of his 24 adven